ALL OTHER WORKS
//ATAVIST I (2023)
for 3 performers + tapeIncludes a visual score, audio score, and video instructions
//ATAVIST II (2023) for 4 performers and electronics
Stardust as Body (2023) for clarinet, viola, cello, and doublebass + feet
composed for Michael Veltman ensemble
Organs of Another (2022) for percussionist with a body
composed for Jennifer Torrence
Proto-Maker (2022) for harpsichord and home-made percussion instrument
composed for Two Envelopes
You, Penumbra, Me (2022) for Chamber Ensemble + electronics
composed for Wild Up!
Feast of Selves (2021) for guitar, double bass, harpsichord, percussion + electronics
composed for Fonema Consort
To Touch is to Feel Oneself Being Touched (2020) for clarinet, violin, viola, cello, and electric guitar + electronics
composed for Distractfold Ensemble
I’ll Bleed Your Lines (2020) for Chamber Ensemble
composed for 113 Composers Collective
Thus We Dine (2020)for soprano, springboard, and oscillator
Limbs/Uttered/Spirits/Neglected/Flesh (2020) for clarinet, cello, and piano
composed for National Sawdust Ensemble
Feet to Roots, Eyes to Ears (2020) for soprano + electronics
composed for Nina Dante for the Longbeach Opera
I’M NOT MINE (2020)
self-produced album
At Midnight I walked into the Middle of the Desert (2019) for soprano, flute, bass clarinet, violin, and percussion + electronics
composed for TAK Ensemble
version for solo percussion
Where Waste Piles (2019) for soprano and violin
composed for Shepherdess Duo
I’d Like to Shed Your Skin Now (2019) for brass ensemble
composed for TILT Brass
Alamargo (2018) for soprano and electronics
composed for Nina Dante
Carving Our Wooden Bodies (2018) for string quartet
composed for Jack Quartet
Yappy Pace (2017) for two percussionists with voices and DIY machines
composed for Bonnie Whiting and Jennifer Torrence
NOBODY’S (2017) for two trombonists + foot keyboard
composed for RAGE THORMBONES
Oxygen and Reality (2017) for flute, balloons + electronics
composed for Laura Cocks
Ing ing ing ing ing ing ing ing ing ing ing into (2017) for violin and viola + electronics
composed for Andplay Duo
Crisscrossed with Corrections (2016) for accordion, saxophone, and percussion
composed for Gyre Ensemble
Bodyscape (2016) for soprano, bass flute, oboe, and percussion + no-input mixer and video
composed for Fonema Consort
Orbits (2016) for flute, bass clarinet, percussion + choreagraphed movement
composed for MOCREP
Electric Speak!Junk for me! (2016) for percussionist with a voice
Speech Factory (2015) for four human speakers
Her I Is She This (2015) for recorder, doublebass, percussion
composed for MOCREP
Her Dissappearance (2015) for two vocalists + PVC pipe
composed for Kayleigh Butcher and self
She Lapsed 12 Times into Feigned Lines (2015) for five movers
composed for MOCREP
Waters-water-waters (2015) for string trio
composed for Chartreuse Trio
Beyond Semiotics (2015) for flutist with a voice
Concrete (2015) for pianist with a voice
Doublespeak (2015) for soprano, clarinet, and percussion